The “Sound zone” is the first part of the permanent exhibition opened in September 2016 in the new edifice of the Asia and Pacific Museum. The exhibition presents approximately 120 musical instruments originating from various cultural milieux and countries. It includes both simple instruments played by amateurs as well as real masterpieces used by professional musicians at royal courts. The cultural context and functions are illustrated with the help of various multimedia providing the opportunity to learn about the traditional role of an instrument as well as some more contemporary changes in the sphere of music influenced by the intermingling of different cultures.
The visitor has the possibility not only to admire some beautiful objects from this collection but also enjoy the sounds of selected instruments, watch movies presenting techniques of how to play them and learn from the contemporary and historical photo documentation of musical traditions. For people wanting to check their musical skills, it is possible to try out a few traditional instruments.
The exhibition was made possible thanks to the support of the Ministry of Culture and National Heritage
The Asia and Pacific Museum’s 40 years of activity has operated with the aim of popularising the countries of Asia and Pacific albeit without a permanent exhibition space. During this period, great effort has been undertaken to raise funds. In 2015, thanks to the support of the Ministry of Culture and National Heritage, the first stage of the permanent exposition got off the ground.
The exhibition will be organised in a new building which the Museum received in 2013, in an area of nearly 1100 m2. The project for this space was prepared by Kłaput Project from Warsaw — the co-designers of the Warsaw Uprising Museum, the sole creators of the Sport and Tourism Museum and the Family House of John Paul II in Wadowice.
CONCEPT OF THE PERMANENT EXHIBITION
The project was based on the idea of a “Journeys to the East” – into the cultural world of Asia and Oceania where the visitor is supposed to enter from the perspective of a European, fresh in from a Warsaw street. The journey begins from the geographically and historically closest countries of the Middle East and then passes through Central Asia, richly represented in the collection with a section on the cultures of the Uzbeks, Turkmen, Tajiks and other people, including ethnically diversified Afghanistan. Next, the trail heads towards the steppe regions of Mongolia and the highlands of Tibet, a land connected by the religious and artistic culture of the Buddhism.
Beyond the symbolic border between the Himalayas and Nepal, India abounds with its rich diversity of colour and Hindu culture. Later, visitors enter the South-East Asia zone, where Hindu religious and artistic influences have left an evident trace. The exhibits here are divided into an extensive section devoted to Burma (Myanma) – the only art collection in Poland of this country presents an extraordinary splendour of sculpture, small architecture and artistic handicrafts – followed by a passage through the area of the Golden Triangle area of Laos, Thailand and Cambodia. Vietnam is next, represented by religious, folk and decorative art. Both paths come together again as they head towards China, focusing on the traditional culture of the late empire and its continuation. A small space inspired by tokonoma is devoted to Japan.
Further on, the Indonesian gallery finally opens up, with a presentation of the largest and the fullest foundation collection amassed by Andrzej Wawrzyniak. Its centrepiece is a pavilion with gamelan instruments – a classical orchestra – and shadow theatre, around which are some arrangements devoted to particular islands of the Archipelago and the most important elements of its cultures. From Indonesia an offshoot leads to an area of the Pacific, specifically Melanesia, totally different from other areas of the exhibition, with collections originating mainly from New Guinea and Vanuatu. The last section will be devoted to the musical cultures of Asia, where instruments will presented together with audio and video records.
This layout will enable the presentation of Asian cultures in a clear geographical arrangement as well as fully displaying the collection of the museum through a selection of the most interesting and valuable objects from the collection which today numbers 23 000 items.
The various areas are diversely designed – the artistic arrangement is supposed to underline the expanse and diversity of the landscapes and cultures of the regions visited during the “journey”. The project includes modern technical solutions that enrich the exhibition with additional visual effects and documentary materials. However, the main emphasis is on contact with authentic objects that are often unique in Poland or even Europe, which for many years had been fragmentarily and temporarily presented to the public.
This work was made possible thanks to a grant from the Minister of Culture and National Heritage.